Objetos Sonoros
Dean Blunt & Inga Copeland – Black Is Beautiful LP
2012. Limited Red Edition.
Dean Blunt e Inga Copeland forman el dúo antes conocido como Hype Williams, que ahora debuta en Hyperdub con un álbum sólido en el que se oyen ecos de dubs, psicodelia y hip hop para dar forma a una visión muy siglo XXI del folk urbano. (via Playgroundmag)
Hype Williams' Dean Blunt and Inga Copeland have released a lot of albums in the last couple of years - few of them better than their untitled 2010 effort for Carnivals - so you could be forgiven for not keeping count. But the truth is that this record, their first for Kode9's Hyperdub, is one of their most haunting and vividly realised to date. Copeland's sighing vocals are worth the price of admission alone, particularly when riding DIY footwork rhythms ('12') or or playing at pure pop ('2'). Apart from opener '(Venice Dreamway)', the track titles are all numeric, so we'll spare you any more specific references - suffice to say that across the album you get plenty of creepy keyboard reveries, warped vocal loops, miasmic synths and sub-low baselines. It's Hype Williams, you kind of have some idea of what you're going to get beforehand, but they generate such a mystifying, almost alchemical blend of sounds that they just get us every single time. It's hard to isolate what it is exactly, but lurking somewhere behind their broken keyboards and tape decks is something profoundly moving and beautiful.
DEAN BLUNT & INGA COPELAND – BLACK IS BEAUTIFUL LP listed in:
Dean Blunt e Inga Copeland forman el dúo antes conocido como Hype Williams, que ahora debuta en Hyperdub con un álbum sólido en el que se oyen ecos de dubs, psicodelia y hip hop para dar forma a una visión muy siglo XXI del folk urbano. (via Playgroundmag)
Hype Williams' Dean Blunt and Inga Copeland have released a lot of albums in the last couple of years - few of them better than their untitled 2010 effort for Carnivals - so you could be forgiven for not keeping count. But the truth is that this record, their first for Kode9's Hyperdub, is one of their most haunting and vividly realised to date. Copeland's sighing vocals are worth the price of admission alone, particularly when riding DIY footwork rhythms ('12') or or playing at pure pop ('2'). Apart from opener '(Venice Dreamway)', the track titles are all numeric, so we'll spare you any more specific references - suffice to say that across the album you get plenty of creepy keyboard reveries, warped vocal loops, miasmic synths and sub-low baselines. It's Hype Williams, you kind of have some idea of what you're going to get beforehand, but they generate such a mystifying, almost alchemical blend of sounds that they just get us every single time. It's hard to isolate what it is exactly, but lurking somewhere behind their broken keyboards and tape decks is something profoundly moving and beautiful.
DEAN BLUNT & INGA COPELAND – BLACK IS BEAUTIFUL LP listed in:
ELECTRONIC / SYNTHWAVE , ESTA SEMANA / THIS WEEK, NOVEDADES / NEW, RECOMENDADOS / RECOMMENDED, EN / IN STOCK, LP, Hyperdub
![Deepchord,–,dc10/dc11/dc12,[remastered],3xLP, dc10/dc11/dc12 [remastered], Echospace, vinyl](http://cdn.supadupa.me/shop/3510/images/858083/91318-1_large.jpg?1365903172 "Deepchord – dc10/dc11/dc12 [remastered] 3xLP")
_large.jpg?1365812603 "Disappears – Kone EP")
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Objetos Sonoros
